News!! Jelly Whorl Morton - The Consummate Library Of Congress Recordings Past Times Alan Lomax (2006)
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Title : News!! Jelly Whorl Morton - The Consummate Library Of Congress Recordings Past Times Alan Lomax (2006)
link : News!! Jelly Whorl Morton - The Consummate Library Of Congress Recordings Past Times Alan Lomax (2006)
The Complete Library of Congress Recordings of Jelly Roll Morton is staggering inwards its depth as well as magnitude. Here is an intimate oral history of music as well as civilisation inwards New Orleans as well as along the Gulf Coast amongst demonstrative musical accompaniment. Beautifully restored -- specially considering the fact that this fabric was originally etched onto aluminum platters -- the Morton interviews are able to seep into the heed of the listener amongst unprecedented clarity as well as precision, along amongst numerous instrumental pianoforte solos. Sipping whiskey as well as narrating inwards what Alistair Cooke described equally his "billiard ball baritone," Morton speaks of spirituals, blues, jazz, ragtime, opera, symphonies, as well as overtures. He airs his ain theories of harmony, melody, discords, rhythms, breaks as well as riffs, scat singing, swing, as well as the value of jazz when played tardily as well as hence equally to heighten its bouquet. He speaks of musical origins, antecedents as well as precedents, originality as well as piracy, of nocturnal entertainments, musical cutting contests as well as impromptu fisticuffs, 24-hour honky tonks as well as street parades. With all the descriptive ability of a Zola new Morton describes horses, fine food, alcohol, narcotics as well as trunk lice; cardsharps, puddle sharks, prostitutes, pianists, as well as hoodoos; race riots as well as funerals, gang violence as well as cold-blooded murder. He tells stories of hitting the route as well as scuffling to instruct by, fifty-fifty selling bogus patent medicine door to door. He plays Miserere from Verdi's Il Trovatore, explains the purpose of tangos, waltzes, as well as habanera rhythms, traces the quadrille origins of the "Tiger Rag," sings Mardi Gras Indian chants, as well as describes the circumstances which led to his beingness called "Jelly Roll." Loosened past times liquor as well as encouraged past times Alan Lomax, Morton fifty-fifty revives the smutty songs he used to perform inwards the sporting houses of Storyville. Morton's scatological lyrics to "Make Me a Pallet on the Floor" as well as his ain cheerfully lewd "Winin' Boy Blues" are most equally bracing equally his version of the ever-popular "Dirty Dozen," peppered amongst references to inter-species copulation. Even the epically proportioned "Murder Ballad" contains its percentage of overt sexual verbiage. Disc 8 contains a serial of interviews recorded inwards 1949 amongst New Orleans musicians Johnny St. Cyr, Alphonse Picou, Albert Glenny, Paul Dominguez, Jr., as well as Sidney Bechet's brother, the trombone-blowing dentist medico Leonard Bechet.
CD 1, 1. The Story of Alabama Bound (4:03), 2. Time inwards Mobile (4:13), 3. King Porter Stomp (4:06), 4. The Story of King Porter Stomp (3:53), 5. Jell Roll's Background (4:21), 6. Music Lessons (4:06), 7. Miserere (4:05), 8. The Stomping Grounds (4:15), 9. The Style of Sammy Davis (4:18), 10. Tony Jackson Was the Favorite/Dope, Crown, as well as Opium (4:00), 11. Poor Alfred Wilson (4:03), 12. Honkey Tonk Blues (4:21), 13. New Orleans Was a Free as well as Easy Place (4:08), 14. The Story of Aaron Harris, Pt. 1 (4:06)
CD 2, 1. The Story of Aaron Harris, continued, Aaron Harris Blues (4:06), 2. Aaron Harris, His Hoodoo Woman, as well as the Hat That Started a Riot (4:10), 3. The Story of the 1900 New Orleans Riot as well as the Song of Robert Charles (4:05), 4. The Story of the 1900 New Orleans Riot, continued (4:05), 5. Game Kid Blues (3:57), 6. New Orleans Funerals (4:18), 7. Funeral Marches (4:12), 8. Oh! Didn't He Ramble (4:07), 9. Tiger Rag, third, fourth, as well as 5th strains (4:01), 10. Tiger Rag, Panama (4:03), 11. The Right Tempo is the Accurate Tempo (4:40), 12. Jazz Discords as well as Story of the Kansas City Stomp (4:31), 13. Kansas City Stomp, continued (4:35), 14. Slow Swing as well as 'Sweet Jazz Music' (4:34), 15. Salty Dog, Bill Johnson, Jelly's Brother-in-Law (4:23), 16. Hestitation Blues (4:30)
CD 3, 1. My Gal Sal (3:53), 2. The St. Louis Scene (4:10), 3. Maple Leaf Rag (4:20), 4. Jelly Roll Carves St. Louis, Pt. 1 (4:20), 5. Jelly Roll Carves St. Louis, Pt. ii (4:24), 6. New Orleans Blues (3:59), 7. Winin' Boy Blues, Pt. 1 (3:45), 8. Winin' Boy Blues, Pt. ii (4:24), 9. The Anamule Dance, Pt. 1 (3:47), 10. The Anamule Dance, Pt. ii (4:20), 11. The Great Buddy Bolden, Pt. 1 (4:12), 12. The Great Buddy Bolden, Pt. ii (4:11), 13. Mr. Jelly Lord (4:10), 14. How Jelly Roll Got His Name (4:15), 15. Original Jelly Roll Blues (4:10), 16. Honky Tonk BLues & Old-Time Honky Tonks (4:07)
CD 4, 1. Real Tough Boys (4:32), 2. Sporting Attire (4:33), 3. Sweet Mamas as well as Sweet Papas (4:21), 4. See See Rider (4:25), 5. Parading amongst the Broadway Swells (4:24), 6. Fights as well as Weapons (4:28), 7. Luis Russell as well as New Orleans Riffs (4:27), 8. Jelly's Travels, From Yazoo to Clarksdale (4:14), 9. Jelly's Travels, From Clarksdale to Helena (4:34), 10. Jelly's Travels, From Helena to Memphis (4:23), 11. In Memphis, The Monarch Saloon & Benny Frenchy (4:24), 12. Benny Frenchy's Tune (4:24), 13. Make Me a Pallet on The Floor Pt.1 (4:16), 14. Make Me a Pallet on The Floor Pt.2 (4:15), 15. Make Me a Pallet on The Floor Pt.3 (4:14), 16. Make Me a Pallet on The Floor Pt.4 (4:35)
CD 5, 1. The Dirty Dozen (4:31), 2. The Murder Ballad, business office 1 (4:03), 3. The Murder Ballad, business office ii (4:18), 4. The Murder Ballad, business office three (4:28), 5. The Murder Ballad, business office 4 (4:20), 6. The Murder Ballad, business office five (4:13), 7. The Murder Ballad, business office vi (4:25), 8. The Murder Ballad, business office seven (4:30), 9. Fickle Fay Creep (3:16), 10. Jungle Blues (3:45), 11. King Porter Stomp (2:57), 12. Sweet Peter (3:05), 13. Hyena Stomp (3:34), 14. Wolverine Blues, begun (3:47), 15. Wolverine Blues, concluded (4:02), 16. State And Madison (3:45), 17. The Pearls, begun (3:31), 18. The Pearls, concluded (3:35)
CD 6, 1. Bert Williams (3:42), 2. Freakish (4:00), 3. Pep (3:34), 4. The Georgia Skin Game, Pt. 1 (3:56), 5. The Georgia Skin Game, Pt. ii (3:04), 6. The Georgia Skin Game, Pt. three (3:21), 7. Ungai Hai, The Sign of the Indians (4:11), 8. New Orleans Blues (4:08), 9. The Castilian Tinge (4:15), 10. Imiproving Castilian Tempos (4:07), 11. Creepy Feeling (4:20), 12. The Crave (4:32), 13. Mamanita (4:09), 14. If You Don't Shake, You Don't Get No Cake (4:23), 15. Castilian Swat (4:14), 16. Ain't Misbehavin' (4:13), 17. I Hate a Man Like You/Rolling Stuff (4:13), 18. Michigan Water Blues (3:52)
CD 7, 1. Winin' Boy Blues (4:10), 2. Winin' Boy Blues, continued (4:16), 3. Boogie Woogie Blues (4:22), 4. Buddy Bertrand's Blues, continued, Mamie's Blues (4:27), 5. When the Hot Stuff Came In (8:41), 6. The First Hot Arrangements (9:02), 7. The Pensacola Kid as well as the Cadillac Café (8:00), 8. At the Cadillac Café, Los Angeles (9:56), 9. Little Liza Jane, continued, On the West Coast (9:47), 10. In the Publishing Business (8:50)
CD 8, 1. Original Jelly Roll Blues (1:52), 2. Jelly Roll's Early Playing Days inwards the District (1:23), 3. Hot Bands as well as Creole Tunes (4:30), 4. Eh, La Bas (2:03), 5. Old-Time Creole Musicians as well as the French Element (3:33), 6. Playing Hot amongst Buddy Bolden (3:18), 7. High Society (2:17), 8. Sporting Life Costumes (1:39), 9. Buddy Bolden, Man as well as Musician (2:24), 10. Creoles Playing amongst Negroes, Getting that Drive (4:29), 11. Jelly Roll's Compositions (3:23), 12. How Johnny St. Cyr Learned to Play Guitar (2:21), 13. Guitar Blues (2:18), 14. Bad Men as well as Pimps (3:39), 15. The Story of the Coon Blues (1:35), 16. Coon Blues (2:23), 17. Jazz is Just a Makeup, Buddy Bolden, Honky Tonks, Brass Band Funerals, as well as Parades (5:26), 18. Young Sidney Bechet, Jim Crow as well as the Dangers of the District (3:41), 19. The Main Idea inwards Jazz, 'Just Watch Me' - Improvising as well as Reading Music (3:25), 20. Of All His Mother's Children He Loved Jelly the Best (6:18)
You are now reading the article News!! Jelly Whorl Morton - The Consummate Library Of Congress Recordings Past Times Alan Lomax (2006) with the link address https://findingforsong.blogspot.com/2019/04/news-jelly-whorl-morton-consummate.html
Title : News!! Jelly Whorl Morton - The Consummate Library Of Congress Recordings Past Times Alan Lomax (2006)
link : News!! Jelly Whorl Morton - The Consummate Library Of Congress Recordings Past Times Alan Lomax (2006)
News!! Jelly Whorl Morton - The Consummate Library Of Congress Recordings Past Times Alan Lomax (2006)
Jazz, Swing, Non-Music | Mp3 320 kbps | 8 CD | 1,21 Gb
The Complete Library of Congress Recordings of Jelly Roll Morton is staggering inwards its depth as well as magnitude. Here is an intimate oral history of music as well as civilisation inwards New Orleans as well as along the Gulf Coast amongst demonstrative musical accompaniment. Beautifully restored -- specially considering the fact that this fabric was originally etched onto aluminum platters -- the Morton interviews are able to seep into the heed of the listener amongst unprecedented clarity as well as precision, along amongst numerous instrumental pianoforte solos. Sipping whiskey as well as narrating inwards what Alistair Cooke described equally his "billiard ball baritone," Morton speaks of spirituals, blues, jazz, ragtime, opera, symphonies, as well as overtures. He airs his ain theories of harmony, melody, discords, rhythms, breaks as well as riffs, scat singing, swing, as well as the value of jazz when played tardily as well as hence equally to heighten its bouquet. He speaks of musical origins, antecedents as well as precedents, originality as well as piracy, of nocturnal entertainments, musical cutting contests as well as impromptu fisticuffs, 24-hour honky tonks as well as street parades. With all the descriptive ability of a Zola new Morton describes horses, fine food, alcohol, narcotics as well as trunk lice; cardsharps, puddle sharks, prostitutes, pianists, as well as hoodoos; race riots as well as funerals, gang violence as well as cold-blooded murder. He tells stories of hitting the route as well as scuffling to instruct by, fifty-fifty selling bogus patent medicine door to door. He plays Miserere from Verdi's Il Trovatore, explains the purpose of tangos, waltzes, as well as habanera rhythms, traces the quadrille origins of the "Tiger Rag," sings Mardi Gras Indian chants, as well as describes the circumstances which led to his beingness called "Jelly Roll." Loosened past times liquor as well as encouraged past times Alan Lomax, Morton fifty-fifty revives the smutty songs he used to perform inwards the sporting houses of Storyville. Morton's scatological lyrics to "Make Me a Pallet on the Floor" as well as his ain cheerfully lewd "Winin' Boy Blues" are most equally bracing equally his version of the ever-popular "Dirty Dozen," peppered amongst references to inter-species copulation. Even the epically proportioned "Murder Ballad" contains its percentage of overt sexual verbiage. Disc 8 contains a serial of interviews recorded inwards 1949 amongst New Orleans musicians Johnny St. Cyr, Alphonse Picou, Albert Glenny, Paul Dominguez, Jr., as well as Sidney Bechet's brother, the trombone-blowing dentist medico Leonard Bechet.
CD 1, 1. The Story of Alabama Bound (4:03), 2. Time inwards Mobile (4:13), 3. King Porter Stomp (4:06), 4. The Story of King Porter Stomp (3:53), 5. Jell Roll's Background (4:21), 6. Music Lessons (4:06), 7. Miserere (4:05), 8. The Stomping Grounds (4:15), 9. The Style of Sammy Davis (4:18), 10. Tony Jackson Was the Favorite/Dope, Crown, as well as Opium (4:00), 11. Poor Alfred Wilson (4:03), 12. Honkey Tonk Blues (4:21), 13. New Orleans Was a Free as well as Easy Place (4:08), 14. The Story of Aaron Harris, Pt. 1 (4:06)
CD 2, 1. The Story of Aaron Harris, continued, Aaron Harris Blues (4:06), 2. Aaron Harris, His Hoodoo Woman, as well as the Hat That Started a Riot (4:10), 3. The Story of the 1900 New Orleans Riot as well as the Song of Robert Charles (4:05), 4. The Story of the 1900 New Orleans Riot, continued (4:05), 5. Game Kid Blues (3:57), 6. New Orleans Funerals (4:18), 7. Funeral Marches (4:12), 8. Oh! Didn't He Ramble (4:07), 9. Tiger Rag, third, fourth, as well as 5th strains (4:01), 10. Tiger Rag, Panama (4:03), 11. The Right Tempo is the Accurate Tempo (4:40), 12. Jazz Discords as well as Story of the Kansas City Stomp (4:31), 13. Kansas City Stomp, continued (4:35), 14. Slow Swing as well as 'Sweet Jazz Music' (4:34), 15. Salty Dog, Bill Johnson, Jelly's Brother-in-Law (4:23), 16. Hestitation Blues (4:30)
CD 3, 1. My Gal Sal (3:53), 2. The St. Louis Scene (4:10), 3. Maple Leaf Rag (4:20), 4. Jelly Roll Carves St. Louis, Pt. 1 (4:20), 5. Jelly Roll Carves St. Louis, Pt. ii (4:24), 6. New Orleans Blues (3:59), 7. Winin' Boy Blues, Pt. 1 (3:45), 8. Winin' Boy Blues, Pt. ii (4:24), 9. The Anamule Dance, Pt. 1 (3:47), 10. The Anamule Dance, Pt. ii (4:20), 11. The Great Buddy Bolden, Pt. 1 (4:12), 12. The Great Buddy Bolden, Pt. ii (4:11), 13. Mr. Jelly Lord (4:10), 14. How Jelly Roll Got His Name (4:15), 15. Original Jelly Roll Blues (4:10), 16. Honky Tonk BLues & Old-Time Honky Tonks (4:07)
CD 4, 1. Real Tough Boys (4:32), 2. Sporting Attire (4:33), 3. Sweet Mamas as well as Sweet Papas (4:21), 4. See See Rider (4:25), 5. Parading amongst the Broadway Swells (4:24), 6. Fights as well as Weapons (4:28), 7. Luis Russell as well as New Orleans Riffs (4:27), 8. Jelly's Travels, From Yazoo to Clarksdale (4:14), 9. Jelly's Travels, From Clarksdale to Helena (4:34), 10. Jelly's Travels, From Helena to Memphis (4:23), 11. In Memphis, The Monarch Saloon & Benny Frenchy (4:24), 12. Benny Frenchy's Tune (4:24), 13. Make Me a Pallet on The Floor Pt.1 (4:16), 14. Make Me a Pallet on The Floor Pt.2 (4:15), 15. Make Me a Pallet on The Floor Pt.3 (4:14), 16. Make Me a Pallet on The Floor Pt.4 (4:35)
CD 5, 1. The Dirty Dozen (4:31), 2. The Murder Ballad, business office 1 (4:03), 3. The Murder Ballad, business office ii (4:18), 4. The Murder Ballad, business office three (4:28), 5. The Murder Ballad, business office 4 (4:20), 6. The Murder Ballad, business office five (4:13), 7. The Murder Ballad, business office vi (4:25), 8. The Murder Ballad, business office seven (4:30), 9. Fickle Fay Creep (3:16), 10. Jungle Blues (3:45), 11. King Porter Stomp (2:57), 12. Sweet Peter (3:05), 13. Hyena Stomp (3:34), 14. Wolverine Blues, begun (3:47), 15. Wolverine Blues, concluded (4:02), 16. State And Madison (3:45), 17. The Pearls, begun (3:31), 18. The Pearls, concluded (3:35)
CD 6, 1. Bert Williams (3:42), 2. Freakish (4:00), 3. Pep (3:34), 4. The Georgia Skin Game, Pt. 1 (3:56), 5. The Georgia Skin Game, Pt. ii (3:04), 6. The Georgia Skin Game, Pt. three (3:21), 7. Ungai Hai, The Sign of the Indians (4:11), 8. New Orleans Blues (4:08), 9. The Castilian Tinge (4:15), 10. Imiproving Castilian Tempos (4:07), 11. Creepy Feeling (4:20), 12. The Crave (4:32), 13. Mamanita (4:09), 14. If You Don't Shake, You Don't Get No Cake (4:23), 15. Castilian Swat (4:14), 16. Ain't Misbehavin' (4:13), 17. I Hate a Man Like You/Rolling Stuff (4:13), 18. Michigan Water Blues (3:52)
CD 7, 1. Winin' Boy Blues (4:10), 2. Winin' Boy Blues, continued (4:16), 3. Boogie Woogie Blues (4:22), 4. Buddy Bertrand's Blues, continued, Mamie's Blues (4:27), 5. When the Hot Stuff Came In (8:41), 6. The First Hot Arrangements (9:02), 7. The Pensacola Kid as well as the Cadillac Café (8:00), 8. At the Cadillac Café, Los Angeles (9:56), 9. Little Liza Jane, continued, On the West Coast (9:47), 10. In the Publishing Business (8:50)
CD 8, 1. Original Jelly Roll Blues (1:52), 2. Jelly Roll's Early Playing Days inwards the District (1:23), 3. Hot Bands as well as Creole Tunes (4:30), 4. Eh, La Bas (2:03), 5. Old-Time Creole Musicians as well as the French Element (3:33), 6. Playing Hot amongst Buddy Bolden (3:18), 7. High Society (2:17), 8. Sporting Life Costumes (1:39), 9. Buddy Bolden, Man as well as Musician (2:24), 10. Creoles Playing amongst Negroes, Getting that Drive (4:29), 11. Jelly Roll's Compositions (3:23), 12. How Johnny St. Cyr Learned to Play Guitar (2:21), 13. Guitar Blues (2:18), 14. Bad Men as well as Pimps (3:39), 15. The Story of the Coon Blues (1:35), 16. Coon Blues (2:23), 17. Jazz is Just a Makeup, Buddy Bolden, Honky Tonks, Brass Band Funerals, as well as Parades (5:26), 18. Young Sidney Bechet, Jim Crow as well as the Dangers of the District (3:41), 19. The Main Idea inwards Jazz, 'Just Watch Me' - Improvising as well as Reading Music (3:25), 20. Of All His Mother's Children He Loved Jelly the Best (6:18)
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