News!! Peggy Lipton - The Consummate Ode Recordings (2014)
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Title : News!! Peggy Lipton - The Consummate Ode Recordings (2014)
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At the peak of Mod Squad mania inward 1968, Peggy Lipton released a self-titled album on Ode Records, the label L.A. impresario Lou Adler launched inward 1967. Adler produced Peggy Lipton and, sometime during the recording, the vocalist in addition to producer became an item, a human relationship that probable didn't comport upon the album much, nor did his back upward add together upward to much inward the agency of success: despite her condition equally an It Girl of 1968, the tape didn't sell in addition to neither did its singles ("Stoney End" got no farther than 121 on Billboard's charts). The tape in addition to thence became lost to time, non thence much buried equally forgotten, which is why Real Gone's 2014 compilation, The Complete Ode Recordings, is a dainty surprise. First, many fans of Lipton the actress mightiness non live on aware that this music fifty-fifty exists and, secondly, this disc -- which combines the 1968 LP amongst music from her 3 singles released betwixt 1969 in addition to 1970, summation 4 previously unreleased tracks -- is an exceptional artifact of the soft southern Californian popular of the belatedly '60s. Lipton wasn't a bang vocalist -- inward Joe Marchese's liner notes, she's her ain harshest critic, claiming "I sang the entire album off-key in addition to Lou couldn't cook it" -- but there's a gentleness to her delivery that's non entirely appealing but suits Adler's lush surroundings. Quite clearly, Carole King, in addition to especially Laura Nyro, held sway over Lipton's songs in addition to sensibilities inward 1968. These ii songwriters bring vii of the xi writing credits on Peggy Lipton, piece the actress penned the rest, frequently sounding equally if she was attempting to navigate an accord betwixt her ii idols. Lipton is a fairly lithe composer, specializing inward a hazy sweetness that suggests a dewy dawn -- a signature Adler expertly accentuates amongst arrangements thence lush it frequently seems one-half of Hollywood sat inward on the sessions. While the Nyro in addition to King songs are the almost commanding, the originals are ingratiating, especially the neo-anthem "Let Me Pass By" in addition to the Baroque psychedelia of "San Francisco Glide." Lipton likewise does a dainty Nyro knock-off on "I Know Where I'm Going," 1 of the viii bonus tracks on this collection. Here, there's all the same a lot of King in addition to Nyro -- "Now That Everything's Been Said" in addition to "Lu" are both quite fine -- but there's likewise an proficient version of Jimmy Webb's "Red Clay County Line," a misty reading of Brian Wilson's "I Just Wasn't Made for These Times," a version of Bacharach/David's "Wanting Things" that feels similar a refugee from the silvery screen, in addition to a clever comprehend of Donovan's "Wear Your Love Like Heaven," which Adler introduces amongst a quotation from "Sunshine Superman." Like the Peggy Lipton album itself, the appeal of the bonus tracks is how this gorgeous soft popular thence thoroughly evokes its time: The Complete Ode Recordings suggests our collective fantasies of Southern California inward the belatedly '60s, only subsequently the Summer of Love in addition to somehow untainted yesteryear the turmoil of 1968, which makes it a pretty smashing popular fourth dimension capsule.
1. Let Me Pass By (3:07), 2. H5N1 Natural Woman (3:05), 3. Memories of a Golden Weekend (Oh How I Got the Acapulco Blues) (0:42), 4. San Francisco Glide (4:35), 5. Stoney End (3:06), 6. Who Needs It (3:48), 7. Hands Off the Man (Flim Flam Man) (2:40), 8. It Might As Well Rain Until September (3:05), 9. Wasn't It You (2:59), 10. Lady of the Lake (3:11), 11. Honey Won't Let Me (3:53), 12. Red Clay County Line (2:52), 13. Just a Little Lovin' (Early inward the Morning) (2:35), 14. Lu (2:29), 15. Wear Your Love Like Heaven (3:34), 16. I Know Where I'm Going (2:23), 17. Wanting Things (3:09), 18. I Just Wasn't Made for These Times (3:52), 19. Now That Everything's Been Said (2:41)
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Title : News!! Peggy Lipton - The Consummate Ode Recordings (2014)
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News!! Peggy Lipton - The Consummate Ode Recordings (2014)
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At the peak of Mod Squad mania inward 1968, Peggy Lipton released a self-titled album on Ode Records, the label L.A. impresario Lou Adler launched inward 1967. Adler produced Peggy Lipton and, sometime during the recording, the vocalist in addition to producer became an item, a human relationship that probable didn't comport upon the album much, nor did his back upward add together upward to much inward the agency of success: despite her condition equally an It Girl of 1968, the tape didn't sell in addition to neither did its singles ("Stoney End" got no farther than 121 on Billboard's charts). The tape in addition to thence became lost to time, non thence much buried equally forgotten, which is why Real Gone's 2014 compilation, The Complete Ode Recordings, is a dainty surprise. First, many fans of Lipton the actress mightiness non live on aware that this music fifty-fifty exists and, secondly, this disc -- which combines the 1968 LP amongst music from her 3 singles released betwixt 1969 in addition to 1970, summation 4 previously unreleased tracks -- is an exceptional artifact of the soft southern Californian popular of the belatedly '60s. Lipton wasn't a bang vocalist -- inward Joe Marchese's liner notes, she's her ain harshest critic, claiming "I sang the entire album off-key in addition to Lou couldn't cook it" -- but there's a gentleness to her delivery that's non entirely appealing but suits Adler's lush surroundings. Quite clearly, Carole King, in addition to especially Laura Nyro, held sway over Lipton's songs in addition to sensibilities inward 1968. These ii songwriters bring vii of the xi writing credits on Peggy Lipton, piece the actress penned the rest, frequently sounding equally if she was attempting to navigate an accord betwixt her ii idols. Lipton is a fairly lithe composer, specializing inward a hazy sweetness that suggests a dewy dawn -- a signature Adler expertly accentuates amongst arrangements thence lush it frequently seems one-half of Hollywood sat inward on the sessions. While the Nyro in addition to King songs are the almost commanding, the originals are ingratiating, especially the neo-anthem "Let Me Pass By" in addition to the Baroque psychedelia of "San Francisco Glide." Lipton likewise does a dainty Nyro knock-off on "I Know Where I'm Going," 1 of the viii bonus tracks on this collection. Here, there's all the same a lot of King in addition to Nyro -- "Now That Everything's Been Said" in addition to "Lu" are both quite fine -- but there's likewise an proficient version of Jimmy Webb's "Red Clay County Line," a misty reading of Brian Wilson's "I Just Wasn't Made for These Times," a version of Bacharach/David's "Wanting Things" that feels similar a refugee from the silvery screen, in addition to a clever comprehend of Donovan's "Wear Your Love Like Heaven," which Adler introduces amongst a quotation from "Sunshine Superman." Like the Peggy Lipton album itself, the appeal of the bonus tracks is how this gorgeous soft popular thence thoroughly evokes its time: The Complete Ode Recordings suggests our collective fantasies of Southern California inward the belatedly '60s, only subsequently the Summer of Love in addition to somehow untainted yesteryear the turmoil of 1968, which makes it a pretty smashing popular fourth dimension capsule.
1. Let Me Pass By (3:07), 2. H5N1 Natural Woman (3:05), 3. Memories of a Golden Weekend (Oh How I Got the Acapulco Blues) (0:42), 4. San Francisco Glide (4:35), 5. Stoney End (3:06), 6. Who Needs It (3:48), 7. Hands Off the Man (Flim Flam Man) (2:40), 8. It Might As Well Rain Until September (3:05), 9. Wasn't It You (2:59), 10. Lady of the Lake (3:11), 11. Honey Won't Let Me (3:53), 12. Red Clay County Line (2:52), 13. Just a Little Lovin' (Early inward the Morning) (2:35), 14. Lu (2:29), 15. Wear Your Love Like Heaven (3:34), 16. I Know Where I'm Going (2:23), 17. Wanting Things (3:09), 18. I Just Wasn't Made for These Times (3:52), 19. Now That Everything's Been Said (2:41)
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